Showing posts with label the arts. Show all posts
Showing posts with label the arts. Show all posts

Wednesday, October 20, 2010

JR, Photographic Street Artist, Awarded $100,000 Philanthropic Prize

Kids, don't let your mom tell you graffiti doesn't pay.

JR,United Kingdom,UK,graffiti,street art,photography
[United Kingdom, 2008 (or earlier)]

When we caught this today in The New York Times, we felt like we won the $100K. Whenever something like this happens, all of Hip Hop wins. Congratulations, JR. Next time you're in New York City, you got a place to stay.

JR,Israel,Middle East,graffiti,street art,photogrpahy
[Israel, Face to face, 2007]

In the Times article, author Randy Kennedy writes:
    [T]he TED conference, the California lecture series named for its roots in technology, entertainment and design, said on Tuesday that it planned to give its annual $100,000 prize for 2011 — awarded in the past to figures like Bill Clinton, Bono and the biologist E. O. Wilson — to the Parisian street artist known as J R, a shadowy figure who has made a name for himself by plastering colossal photographs in downtrodden neighborhoods around the world. The images usually extol local residents, to whom he has become a Robin Hood-like hero.

JR,Paris,graffiti,street art,photography
[Paris, still there as of August 2010]

And this is what JR's Agency VU writes about his winning the award:
    JR, a moving and innovative artist who exhibits freely in the world's streets, has been named the recipient of the 2011 TED Prize – an award granting $100,000 and something much bigger: a wish to change the world with the support of the TED Community's incredible resources.
    JR represents a new chapter in the TED Prize. While a seemingly unconventional recipient, his work matches the creativity and innovative spirit of the TED community and his art inspires people to view the world differently – and want to change it for the better.
    JR is a true humanitarian who creates "Pervasive Art." Working with a team of volunteers in various urban environments, he mounts enormous black-and-white photo canvases that spread on the buildings of the slums around Paris, on the walls in the Middle East, on the broken bridges in Africa, and in the favelas of Brazil. These images become part of the local landscape and capture people's attention and imagination around the world.
    In Rio, he turned hillsides into dramatic visual landscape by applying images to the facades of favela homes. In Kenya, focusing on "Women Are Heroes," he turned Kibera into a stunning gallery of local faces. And in Israel and Palestine, he mounted photos of a rabbi, imam and priest on walls across the region – including the wall separating Israel from the West Bank.
    JR remains anonymous – never showing his full face, revealing his name, or explaining his huge portraits – to allow for an encounter between the subject and passers-by.
    "JR's mind blowing creations have inspired people to see art where they wouldn't expect it and create it when they didn't know they could," said TED Prize Director Amy Novogratz. "He's putting a human face on some of the most critical social issues while redefining how we view, make and display art. JR has moved all of us at the TED Prize. There is no doubt that his talent – paired with the resources of this amazing community – will lead to a wish that changes the world."


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Thursday, October 7, 2010

New York City's Influential Creatives (though not I) Featured in INFLUENCERS Documentary

Don't sweat the oversight. You'll get me on the next one ;)



INFLUENCERS is a short documentary that explores what it means to be an influencer and how trends & creativity become contagious today in music and fashion.

Directed by Paul Rojanathara and Davis Johnson, the film is a Polaroid snapshot of New York influential creatives (advertising, design, fashion and entertainment) who are shaping today's pop culture.


Shout to Highsnobiety on the look.


Written by AWKWORD.


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Nas: Letter to Def Jam ("PUT MY SHIT OUT!")

NAS,Def Jam,GYMR,Email,PUT MY SHIT OUT!

The Lefsetz Letter hit the Internet with the email first. Once Nation (Nah Right) received confirmation of its legitimacy, it was inevitable we would feature it ASAP...
    From: Nas

    To: LA Reid, Steve Bartels, Steve Gawley, Michael Seltzer, Joseph Borrino, Chris Hicks

    Subject: PUT MY SHIT OUT!

    Peace to all,

    With all do respect to you all, Nas is NOBODY’s slave. This is not the 1800′s, respect me and I will respect you.

    I won’t even tap dance around in an email, I will get right into it. People connect to the Artist @ the end of the day, they don’t connect with the executives. Honestly, nobody even cares what label puts out a great record, they care about who recorded it. Yet time and time again its the executives who always stand in the way of a creative artist’s dream and aspirations. You don’t help draw the truth from my deepest and most inner soul, you don’t even do a great job @ selling it. The #1 problem with DEF JAM is pretty simple and obvious, the executives think they are the stars. You aren’t…. not even close. As a matter of fact, you wish you were, but it didn’t work out so you took a desk job. To the consumer, I COME FIRST. Stop trying to deprive them! I have a fan base that dies for my music and a RAP label that doesn’t understand RAP. Pretty fucked up situation

    This isn’t the 90′s though. Beefing with record labels is so 15 years ago. @ this point I just need you all to be very clear where I stand and how I feel about “my label.” I could go on twitter or hot 97 tomorrow and get 100,000 protesters @ your building but I choose to walk my own path my own way because since day one I have been my own man. I did business with Tommy Mottola and Donnie Einer, two of the most psycho dudes this business ever created. I worked well with them for one major reason……. they believed in me. The didn’t give a fuck about what any radio station or magazine said….those dudes had me.

    Lost Tapes is a movement and a very important set up piece for my career as it stands. I started this over 5 years ago @ Columbia and nobody knew what it was or what it did but the label put it out as an LP and the fans went crazy for it and I single handlely built a new brand of rap albums. It’s smart and after 5 years it’s still a head of the game. This feels great and you not feeling what I’m feeling is disturbing. Don’t get in the way of my creativity. We are aligned with the stars here, this is a movement. There is a thing called KARMA that comes to haunt you when you tamper with the aligning stars. WE ARE GIVING THE PEOPLE EXACTLY WHAT THEY WANT. Stop throwing dog shit on a MAGICAL moment.

    You don’t get another Nas recording that doesn’t count against my deal….PERIOD! Keep your bullshit $200,000.00 fund. Open the REAL budget. This is a New York pioneers ALBUM, there ain’t many of us. I am ready to drop in the 4th quarter. You don’t even have shit coming out! Stop being your own worst enemy. Let’s get money!

    -N.Jones

For more background, click here (if you haven't already peeped the Nah Right post).

My opinion: Fuck Def Jam. Nas: Go indie. Put it all out yourself. I'll spend $ to support.


Posted by AWKWORD


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